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Deanna and the rest of the promotions department loved the project, and felt the exhibit would fit in well as part of the O'Hare Visiting Curator Series. The exhibition was agreed upon and installation was set for the beginning of May 2001, the time when a previous exhibition was being taken down.
With so little time to physically produce the exhibit, the decision was made to work with the photographic materials in hand. This meant either using the same digital scans or e-mail files that had originally been used for the book, or in some cases re-scanning prints or slides. The challenge faced was that all of the images needed to be enlarged to more than six feet in size. Some of the images had been made with low resolution consumer digital cameras for instance, which don't exactly lend themselves to such large display. The production team led by Project Founder and Exhibit Curator Alx Klive were a little nervous.
The process that was used is a semi-photographic 'Lambda' process that exposes huge sheets of photographic paper (actually a roll) using a laser. The result is a continuous tone image of remarkable detail that does a very good job of interpolation. For those technically inclined, the smallest digital file used was just 1.5MB in size, which was run through a fractal interpolation program before going to the Lambda press. Despite this incredibly small size (to produce a 6 feet x 4 feet print), the results were simply astonishing.
Unlike the book which is arranged thematically, the photos in the exhibit are laid out in chronological order covering the 24 hours from noon on December 31st 1999, to noon on January 1st 2000. From go ahead to installation - just 21 days! Next Page: Chicago Exhibit Opens Also: Exhibit for Hire?
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